This could be a more challenging watch for the Academy membership at large. Kaufman’s Academy relationship is still a healthy one given his three prior writing nominations: “Being John Malkovich,” “Adaptation” and “Eternal Sunshine of the Spotless Mind” (for which he eventually won best original screenplay in 2004).Īdmittedly not going to be a casual, easy watch for normal couch-sitters on a Friday night in their living rooms, the film asks and requires a lot from its viewers. Still, it didn’t have enough support to overtake the winner “Inside Out.” His follow-up animated feature, “Anomalisa,” found its way into the animated feature race with its very adult themes. In 2008, “Synecdoche, New York” proved to be a bit too strange for AMPAS’ tastes. While it won’t be challenging to convince an Oscar voter to watch a Kaufman film, his previous two directorial efforts have struggled to land more than a cult following. Adapted screenplay is a category that has shown to be very accepting of more unconventional pieces of art, as seen by a victory for “Jojo Rabbit” in 2020.īut it’s not as clear, given its early fall release date, how the film will navigate the other branches of the Academy, critical guilds and awards season groups. Based on the Iain Reid acclaimed novel, intertwining genres of dark comedy, drama and horror, the movie rests comfortably on its engaging dialogue and narrative twists. Some of the film’s brightest spots are the film’s narrative unfolding, which in many ways is his second-best screenwriting effort to date (after ”Eternal Sunshine of the Spotless Mind”). Narrating her feelings and ponderance about her life and relationship, she questions everything she’s come to know. ![]() The film tells the story of an unnamed woman ( Jessie Buckley) traveling with her new boyfriend ( Jesse Plemons) to meet his parents (Toni Collette and David Thewlis) at a secluded farm.
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